It's the season to be jolly and this time of year is marked by the annual fairy swap that takes place between me and my friend Caroline.
This year our theme was Found Object Fairy. In the past we have done Scary Fairy, Furry Fairy, Foreign Fairy, Fat Fairy, Flat Fairy...I think I've made the point. This was my offering.
Monday 21 December 2009
Saturday 12 December 2009
ENAMEL EXPERIMENTS
Friday 11 December 2009
EXCUSE FOR CAKE
The end of term at Christmas is a good excuse for a get together, so I hoovered round, put up some fairy lights and invited my printmaking class round for tea and mince pies.
But they did not get off lightly, to earn their tea I set them the task of making a 'Christmas Fairy Cake'. Nothing competitive you understand. So out came the edible gold, glitter and silver balls, together with a few calorie conscious offerings which were crochet and felt.
But they did not get off lightly, to earn their tea I set them the task of making a 'Christmas Fairy Cake'. Nothing competitive you understand. So out came the edible gold, glitter and silver balls, together with a few calorie conscious offerings which were crochet and felt.
Friday 27 November 2009
CUTTING & FOLDING
What to do with all those samples and prints that have not quite done what you want at the
end of the term? Well I suggested to my printmaking group...fold it up into an attractive
end of the term? Well I suggested to my printmaking group...fold it up into an attractive
NEW TRICKS
You can't teach old dogs new tricks? Well never too old to learn!! Just when I thought I was settled into a way of working two new techniques come my way, a bit like waiting for a bus really.
First, screen printing. It has changed beyond recognition from when I was first a student, it was smelly toxic and a pain to clear up. Now it is quick and washable with wonderful results.
First, screen printing. It has changed beyond recognition from when I was first a student, it was smelly toxic and a pain to clear up. Now it is quick and washable with wonderful results.
Tuesday 17 November 2009
COLLAGRAPH EXPERIMENT
From drawing to collagraph, I always enjoy the development of an image. I am very relieved
that this plate printed so reliably. I have had a few very public failures recently.
that this plate printed so reliably. I have had a few very public failures recently.
Tuesday 10 November 2009
CREATING NEW COLLAGRAPHS
It is liberating to create images for different reasons. While working on the fish commission I am also working up some images in my sketch book for a series of Corvid collagraphs, just to experiment really.
I have used The Raven as a starting point, or should I say an excuse. The use of everyday objects in the work of the artist Jim Dine fascinates me, so with the two influences colliding and lots of textured wall paper I have made these two drawings. The next stage is to make the collagraph plates.
I have used The Raven as a starting point, or should I say an excuse. The use of everyday objects in the work of the artist Jim Dine fascinates me, so with the two influences colliding and lots of textured wall paper I have made these two drawings. The next stage is to make the collagraph plates.
Tuesday 27 October 2009
ETCHING EXPERIMENTS
I found this piece of deeply etched zinc, a left over workshop example and thought it would be
fun to experiment with viscosity inking and some copper chine collee. Only 3 inches by 3 inches,
fun to experiment with viscosity inking and some copper chine collee. Only 3 inches by 3 inches,
with lovely ragged edges. A close up shows how the ink is reacting with the edges and the copper leaf.
Is it my imagination or do the spare bits and pieces that we just muck about with often work better and are more interesting than the pieces we spend days working on?
Monday 26 October 2009
COLLAGRAPH COMMISSION
Monday 19 October 2009
NON-TOXIC ETCHING EXPERIMENTS
So... I come back from participating in a one day etching workshop a bit frustrated. As you can imagine there is little one can achieve in a day using a very traditional wax hard ground and a slow biting ferric chloride on copper plate when the weather is cool. I manage a very unsatisfying, thinly drawn paint brush, which although it was in the ferric for 2hours did not achieve the richness I am use to with quick biting zinc and aluminum in copper sulphate.
I brought the plate home and was inspired to get my ferric chloride tank going again so that I could rework the brush. My tank has an outer tank of water which is heated, this speeds up the biting process, I also have citric acid added to my ferric, it gives a cleaner bite. I made an extra piece from deeply bitten aluminum and re printed using viscosity inking for the aluminum plate.
I brought the plate home and was inspired to get my ferric chloride tank going again so that I could rework the brush. My tank has an outer tank of water which is heated, this speeds up the biting process, I also have citric acid added to my ferric, it gives a cleaner bite. I made an extra piece from deeply bitten aluminum and re printed using viscosity inking for the aluminum plate.
Happier than I was but not completely satisfied! But it is this bit that really interests me, I can see myself dispensing with the brush...watch this space.
I apologise for this post, it has been a bit technical, it has been aimed at my fellow non toxic etching enthusiasts. Let me know what you think?
Wednesday 14 October 2009
A ROOM OF ONES OWN
Woman's Hour, a Radio 4 show for all those who do not listen to British radio, are asking for women who have rooms of their own to work in, to send in photographs to put on their web sight.
They are running a feature based around Virginia Woolf's premise that creative women need a room of their own or perhaps a sanctuary away from the mundane domesticity of their daily lives.
They are running a feature based around Virginia Woolf's premise that creative women need a room of their own or perhaps a sanctuary away from the mundane domesticity of their daily lives.
I tend to agree, but then as a printmaker I have rather a lot of kit which would be just awkward in the middle of the dinning room.
But the room of ones own is only part of what Woolf was trying to get across, the whole message is , 'money and a room of ones own', the two are obviously linked.
I would love to see everyones working spaces, it says so much about us, the green chair is where I have the odd nap as the sun streams in through the window in the afternoon...that might change your image of my working practice?
Tuesday 6 October 2009
SKETCH BOOK EXPERIMENTS
I have been spending a few weeks making work for my galleries as earlier postings have shown, chickenless heads and little birds. This stock of work has meant that I can give myself some experimental time, hence these images.
I spent Sunday morning locked in the shed with gum arabic transfer, ink and acrylic paint. Deep down I long to do abstract images, but I am constantly drawn to the figurative, this is why
I spent Sunday morning locked in the shed with gum arabic transfer, ink and acrylic paint. Deep down I long to do abstract images, but I am constantly drawn to the figurative, this is why
Tuesday 29 September 2009
INGENIOUS INTAGLIO
I have just spent a very pleasant weekend teaching an etching workshop in the studio at Hampen Factory.
The process I passed on was the use of a gun arabic transfer as a resist to the biting effects of copper sulphate on aluminum.
The process I passed on was the use of a gun arabic transfer as a resist to the biting effects of copper sulphate on aluminum.
It all sounds technical, but once mastered it is an easier way of creating a photographic style etched image without the fuss of light boxes and expensive photo sensitive plate. It creates an image that is one step removed from the photographic original. The technique also leaves room for hand drawing, the crow and washing line I drew in after applying the transfered image.
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